about a year ago nico stojan and acid pauli met at the studio to record some music. while doing so they discovered their common love for sample based production. so they were basically digging into old vinyls and eventually these three tracks came along. nothing more to say, but enjoy. call of the valley is the first release on the new label ouie: there has been a shift in this tiny piece of massive world and, like all other shifts, they are documented by those who were there. ouie is the label to do just that, created by the people who were there, making those shifts.

one of the many delsin off shoots welcomes fast rising shlomo to the fray for a new ep featuring three singular originals and one excellent remix from artekfakt. the taapion records boss has previously released on wolfskuil and bright sounds and here serves up some truly sumptuous space techno. the artefakt remix is actually a collage of all three shlomo originals and is a suspenseful, hypnotic and sublime techno roller that carries you tiny another dimension. this is perfectly heady music for cerebral dance floors.

fantastic voyage’s autumn 2015 release of soul for dancers proved so successful, that we didn’t have to think twice when lois wilson (mojo, record collector) asked if she could do it all over again. it turns out that there were plenty more classic sides in her dj crates, drawing on that rich seam of early soul and proto-soul rhythm & blues, of the sort that would have packed the dancefloors on the sixties club scene, or has been embraced by subsequent generations of club soul diehards.

vinyl only release, 180gr pressing
barac returns to cluj’s midi records, this time with a whole release at his disposal. seen and unseen is an unsung rite of passage, marking the moment of stepping out of his confort zone, from the deep waters of house music with a gentle touch of nostalgia, to reveal a tiny bit of his techno subconscious. both tracks are slow cooked under baracs signature jagged groove, balancing the energy between both ends of the frequency spectre like a shaman guiding the crowd from light to darkness and back on every single loop.

the second tape on legowelt s nightwind records cassette series. through his remote viewing powers danny wolfers channeled the music of saab knutson of faroe islands circa 1993. 60 minutes of nordic ambient with a disturbing undertone of dark melancholia with vague notions of distant happiness. saab knutson is a man with many issues, but on the faroe islands there is no time for issues. to stay of sound mind, saab plays his synthesizers in the few spare hours he manages to find, unmistakenly influenced by faroe s spellbinding landscapes and grim climate. though danny has never been to the islands he has a definite puzzling calling to them, a luring force, so to speak. hopefully he will sell enough saab knutson albums so he can fund an expedition and find out more about this mysterious destiny... played on yamaha dx100, roland jx3p, alpha juno 2, emu 16 bit digital sampling keyboard. ruby metallic cassette tape in luxurious faux plastic case

limited edition of 300 copies with unique artwork made by russian street artist (grisha), which were carefully adapted to sleeve design by mikhail myasoedov. the vinyl lp contains 4 selected tracks from the full 8-track album.
after 9 years of silence, here’s the 11th album from the unclassifiable brussels-based duo. with their usual tamping drums (just mention the two parts of “the decision to exist” or “same area”, led by a ferocious 808), a regular bass guitar hammering, some bare minimum poor voices, threatened violins, skinbound flute and oboe here and there, a distorted furious piano everywhere and finally some tiny cautious optimism (the extra-human guitar in “enough slaps”), the whole is carefully assembled in order to obtain an accurate picture of life on earth. “pain” and “pleasure” are different aspects of the same mental construction.

a 12 stuffed to the brim with music by c.k & timeman, dj sports, optic & maizena!!! rhythmical ambient house music á la izquierda! on a1 timeman (central) and c.k (of 2 bit crew) pick up the thread of rb02 and can be enjoyed in uninterrupted continous play for a full 22 minute listening experience. a2 is a floating groovy ambient’ish jam by the other half of 2 bit crew, optic. rb’s youngboy dj sports delivers a slowmotion jungle track for a lightweight dancefloor moment on the flipside. b2 is an extended version of the monotonus soft-house-beauty tiny music by the group maizena.

mothball record starts its 2016 release schedule with a bang by releasing their first lp. originally produced in a tiny edition of only 100 copies back in 87, this dark masterpiece from prolific italian artist deca finally appears as an official reissue on mothball (in collaboration with bordello a parigi) remastered from the original tapes. -synthetic lips- is an absolutely diverse album spanning industrial, synth-pop, ambient and even elements of new age...some tracks will hit immediately and others will reward repeated listening.

for their first ep, palma deliver a mixture of fast and melodic techno. composed in the heat of the summer and the moistness of a tiny room transformed into a studio, the three musicians handle drum machines, sound modules and effects to re-interprate 3 tracks from their previous live set. the a side is minimal and discrete, while providing with a strong theme. on the b side, palma show a more powerful angle to their music with heavy stabs, acid basslines and pounding drums. here is the first 12- of a series focusing on jams and live sessions

in 1985 severed heads were asked to release a retrospective, so they dragged out bits lying around. the compilation was titled “clifford darling please don’t live in the past”, spread out into a montage over four sides of vinyl. this compilation includes live recordings, raw demos, unreleased studio recordings and solo pieces from each member of the band during from the first five years. the results are a striking hybrid of the avant-garde industrial and pop.

very limted repress. vinyl only! incl. cristi cons remix

limited repress for this mighty double header of highly sought after disco funk rarities from tc james and his fist-o-funk orchestra. originally released on the tiny fist-o-funk label out of nyc, this impossible-to-find 12 inch boasts the incredible tripped-out walter gibbons mix of *get up on your feet (keep on dancin)*. weighing in at an impressive 11 minutes, this mix bears all the gibbons hallmarks - wild psychedelic synth sections, stretched out breaks and an amazing hypnotic dancefloor groove that never lets up the pressure for a second - immense! flip over for the magnificent saverese mix of *bumpsies whipping cream*, a funky-as-hell disco track filled with soaring guitar riffs, b-boy friendly percussion breaks and some very ecstatic female vocals. essential purchase.

it’s now pretty obvious that disco influence has not only been powerful in western clubs. it has also influenced musicians all around the world, and west-indies islands are no exception to the rule. indeed, at that time in the caribbean territories, local musicians and producers seized the sound of their us counterparts, and make it their own, melting-up disco, funk, and boogie (even early rap) elements with some more traditional or local styles. apart from some obvious titles which made it to the charts, very few was known on these productions until recently. from an initial pre-selection of 40 tracks, favorite recordings and waxist teamed up to narrow down the actual tracklist. with no pretention to be exhaustive, this selection represents a tiny sample of a broader ocean of quality caribbean disco/boogie tunes. favorite recordings & waxist are very happy and proud to bring back lights on some of these rare tunes.

we left herva & dukwa with a bunch of bangers with their latest ep -it fell down-… we found em back only after few months with their first lifes track longer player featuring an impressive variety of styles but always with their unmissable, raw and twisted up touch. this album of 8 tracks, spread in one twelve and a seven inches, starts on a side with the funky break of -needed-, continuing with the deep driving moment of -amore- and the hip hop beat of -put it on-. on the flip side instead we find the catchy vocal riff of the stomping roller called -freak with us- followed by the soulful ghetto tech vibe of “call it you” and the melancholic, romantic, stoned and rotten lullaby of -tired brass-. more tasty and unusual grooves are included in the tiny wax which close the record up, on a side the peaceful, abstract, suspended and atmospheric dimensions of * play with me* and on the other the glow-fi-sh and -emo--tech wave of -venere-. unmissible!

silas moldenhawer and jonas kenton, both children of the early 80s, grew up alongside each other in the tiny big city of copenhagen. in their teenage years they discovered electronic music and this led them to start spinning records and producing tracks together. years later they met two other talented musicians and formed well-establish danish indie-electro outfit when saints go machine, but still kept on building kenton slash demon as a separate project.

more ultra rare disco-soul from the sunshine state! phillip wright only dropped 1 45 single under his own name on tk discos tiny dash label in 1976. long sought after & coveted by lovers of rare disco & modern soul *keep her happy* has never been reissued in its original 45 format, until now! often fetching around the $200 mark for a used copy this sublime slice of funk deserves to be heard by a wider audience, sadly phillip never achieved the commercial success of his sister betty but perhaps now this obscure single of his will make people hit the dancefloor in 2015! repressed, remastered & re-released in its original dinner 45 rpm format with all original dash records artwork intact in conjunction with joe stone / tk disco, miami fl.

this four track ep kicks off with cladistic mutation , a sparse underwater soundtrack with only the gentlest suggestion of rhythm, lots of reverb and tiny little details that float by like micro-bacterial debris. m2 is a more beat driven dub track but is still way below the surface: the kicks are smooth and hunched over, the chords are smeared out in all directions and the atmosphere is lo-fi and grainy. on the flip, grain gets even more energetic, with firm techno kick drums setting a stern tempo as all sorts of aqueous details and spacious effec ts peppe r the groove. there s a heavenly nature to the pads and an industrial texture to the percussion that makes this a cerebral but physical affair from start to finish. lastly, neurowaves closes things down in blissfully dubbed out and horizontal fashion, with large sweeping pads, tweaked filters and evocative little details all placing you firmly under water.

this four track ep kicks off with cladistic mutation , a sparse underwater soundtrack with only the gentlest suggestion of rhythm, lots of reverb and tiny little details that float by like micro-bacterial debris. m2 is a more beat driven dub track but is still way below the surface: the kicks are smooth and hunched over, the chords are smeared out in all directions and the atmosphere is lo-fi and grainy. on the flip, grain gets even more energetic, with firm techno kick drums setting a stern tempo as all sorts of aqueous details and spacious effec ts peppe r the groove. there s a heavenly nature to the pads and an industrial texture to the percussion that makes this a cerebral but physical affair from start to finish. lastly, neurowaves closes things down in blissfully dubbed out and horizontal fashion, with large sweeping pads, tweaked filters and evocative little details all placing you firmly under water.

limited 12 inch on the tiny don pedros label from nigerian disco supremo bobby i.g featuring two of his best and most sought-after tracks on one slab of loud-pressed vinyl. originally out on the impossible-to-find *bomp* album in 1980 (i.g.s one and only release sadly), these cuts are top-class examples of early nigerian boogie, both heavy ass-shaking floorfillers boasting some phenomenal funky guitar work and ultra-groovy bass. first up is the awesome collectors favourite *disco power* while on the flip we have the equally desirable funk monster *funk ina ghetto*. totally brilliant - dont miss!

produced by steve poindexter and coming from the depths of chicagos 1991 underground comes sex chants, a killer 6 track ep of soulful, sleazed out box jams on poindexters tiny chicago bad boys records imprint. an extremely varied ep, sex chants has it all vocal cuts, oddball chi-town jackers, soulful, deep sounds and straight up raw dance-floor cuts, all steeped in that lo-fi, bedroom like quality that weve all come to appreciate. sex chants is a very sought after release and this is the first time the ep has been re-issued and re-mastered. this re-release has been done in conjunction with chicago bad boys and features the original 1991 label artwork. a true underground deep house gem, overlooked and now made available again

while being a huge multi-single in its own right, this record is also just a tiny fraction of tracks to come out of slavakis london studio. expect playful mixture of warm enigmatic sounds for your mind, body and soul. undeniable deepness for any house music connoisseur.

what happens if such restless souls like akiko kiyama and laurine frost start to melt their sounds together? the result is that one of the most interesting piece of art of the forward-thinking techno music becomes alive. ’through the mountains ep’ is a golden section of their utopistic musical imaginations, influenced by classical minimalism, live instruments and the ordered chaos of contemporary techno and found sound elements. all the four tracks contain their recognisable fingerprints. the gently and respectful collaboration is proven by the perfect balance of chemistry. in the collage of their musical layers every tiny sound and every tiny breaks have its own weight and meaning. waving and playful structures, exciting journeys on the edge of reality. 

hot city orchestra is a reformation of a band, which was originally formed in 1998. at the age of 17, arno völker (einzelkind) and simon birkenfeld became friends and started making drum and bass music together. they toured all over germany with their record label and had residencies at robert johnson in offenbach and tanzhaus west in frankfurt. after gaining years of experience within the breakbeat scene, arno went on to become einzelkind with releases on playhouse, cocoon, white and his own imprints la peña, jax and pressure traxx as well as worldwide dj gigs. simon was still focusing on his breakbeat career for another year, making an album with a uk drum and bass legend, but it was never released. he stopped making music and started focusing on his career in pr and marketing, where he mostly worked on music and art projects. during this time, the long-time friends arno and simon came up with the idea to launch the blog-network-project www.disco-very. net now, 16 years later, after making first beats together, the boys are back! a tiny bit older, much wiser, more handsome and around 50 bpm slower.

welcome vinyl reissue of the rare and in-demand boogie classic *summer groove* by the joneses. originally released in 1981 on tiny us label good records, the 12 inch features the full eight and a half minute long moving on version of this magnificent soulful disco burner. big on the uks jazz-funk scene at the time as well as in the us, this super-cool grooving track still fills floors today with its soaring strings and vocals, hi-voltage guitars and pumping heavy bass. essential summer party jam - dont miss!

hello - were the nuclear family. weve had roots in glasgows electronic music scene for a while, and weve released music separately in the past, under a variety of names, but none of that is too important. for the past year or so, we’ve been shacked up in a tiny southside studio making house and techno that we hope will stand the test of time.

top quality remastered reissue of oses very rare and sought after old school vocoder electro jam *computer funk*, a stone cold classic with an awesome phat analogue bassline and some of the best vocoder vocals ever recorded. originally released back in 83 on the tiny florida label bound sound and produced by the great james mccauley, this is miami electro at its finest and it is easy to see why it has become such a holy grail with djs and collectors. must have.

extremely welcome vinyl reissue for this highly collectible and obscure early 80s jazz-funk-disco fusion lp from david astri. originally released on tiny baltimore label award, the album oozes quality all the way from the excellent opening track, super-cool sexy floor-filler *get down to it* - with standouts including the superb brass-driven funk workout *do it right*, the beautifully delicate and dreamy *safe and sound* and breezy summer groover *everyone has feelings*, both with sweet vocals from karen goldberg. however, the lp saves the best till last with an amazing eight and a half minute version of the wonderful in-demand electro funk boogie burner *dancing digits*, a big play for many discerning djs including harvey, todd terje etc. dont miss your chance to own this fantastic slice of jazz-funk heaven.

completely unique music in its own cosmos, the first long player from the sibylline panoram. experiments in evocative soundscapes, minimal rhythms and mood. hand printed sleeves. tipped on heavyweight card sleeve. screen printed by house of traps. no repress, limited edition, download code included.

sex panda white next release is the vinyl one again.british producer vanilla ace with the raw of successful releases off records, toolroom records and nurvous records presenting his reaching out release.

incredible double a sided reissue on tiny early eighties new york imprint small axe. side a features the awesome boogie funk of *throwdown* by larry harris, a phat floor-filling monster which always changes hands for big bucks in auctions. on the flip we get another in-demand bomb - the sparkles *trying to get over*, a superb soulful disco groover with great vocals and synth hooks. originally released way back in ‘81 and produced by the strikers darryl gibbs, this killer cut still remains a firm favourite of many in the know disco djs. top stuff!

akra, otherwise known as nick woolfson, is one half of mock & toof and has built a reputation for producing quality underground deep house and nu-disco, releasing with the likes of mule musiq, rvng intl, dfa and his own imprint tiny sticks / m&t inc, as well as remixing reputable artists such as scissor sisters, groove armada, zero 7, hot chip and ladyhawke. now woolfson moves into techno territory with his new side project as akra having already impressed the likes of kink, chicago damn, ame, sasse, dj deep and deep space orchestra

limited edition of 300 copies on 180 gram vinyl.
a 4/4 grumble garnished with lashings of spruced creamy loose mousse, will stay (asleep) longs for grazing in yonder meadows. more dancefloor ammo a la gcw. flame serves as a constant shifting platform of rhythmic maneuvers. constrained compression builds into an alliance of syncopated pressure points, sliding along to a gliding and well-constructed industrial & yet haunting melody. lush. again. came as it went is almost retrospect in its deep house communication. collective thoughts solidify an incessant groove, pulsating and driving stylish hands up in the air shit with it’s muscular intro volve fattens out its thuds and relinquishes any timidness bound inside, then steady paces a woeful glow. the pitter patter of tiny cut ups emit misfortune for a heady array of beautiful feelings. the thumping work out of make it strips back to traditional wasserfall form, making fundamental elements count & creating that signature groove off. in tune and on point.

limited reissue of this ultra-rare gem from 1978 originally released on tiny nyc private press label wabine productions. both tracks on the 12 inch are absolute killers and hugely in-demand with djs and collectors alike. although *sail on* is the acknowledged biggie, a highly sought-after jazzy soul classic melding super-cool low-slung grinding island funk with understated steel pans and a dreamy female chorus, dont overlook side as wonderful *the martians visit* - a tight slab of sun-drenched space-disco with a solid up-tempo caribbean groove, great strings and squelching bass.

reacquainted with his soul after the galactic battle with the gatekeeper of hades, edmx and his craft bulb into view from hyperdrive. emerging from an imperfect stasis, the pilot lay slumped over the controls of his ship. beneath the glaze of his vizor his eyes looked milky white, opaque cataracts had almost sealed them. the craft was being pulled slowly toward sigma orionis on invisible magnetic currents. flurries of dust danced around the pilots window like fireflies. in the far distance the horse head nebulae dwarfs the tiny craft with its mountainous cosmic majesty.

*turn me on* by jay w. mcgee is the third release in a series of sought after boogie, disco and modern soul re-issues on légère recordings. the original 12inch vinyl single appeared on the tiny canadian indie label love productions in 1980 and is immensely hard to find these days. *turn me on* is an unusual production for its time, grooving along unbelievably deep in a spartanic arrangement, and fuelled by vocals which are not too far away from sylvesters iconic style of mixing soul, disco, funk and jazz.

welcome vinyl reissue for this ultra-rare slice of warm and dreamy down-tempo disco heaven from one-hit wonders byron. originally released in 1985 on tiny italian label golden sound, *too much* is highly sought after today in balearic circles for its gorgeous sun-drenched atmosphere and the understated chugging funky combination of hypnotic bass, other-worldly vocals and heady chiming synths. a must for any discerning balearic record bag, grab a copy while you can.

great double a-sided reissue from tiny brooklyn label starburst. features the superb and impossible-to-find *three way situation* by nadie la fonde, a cool and dreamy trinidadian disco cut which hit big in chicago as well as in new yorks cooler clubs back in 79. backed with the equally in-demand tropical monster *soca fusion* by bobby raveen. jam-packed with horns, seriously funky bass and driving percussion, this is pure dancefloor dynamite. dont miss!

klute returns with a sneak peak from his forthcoming 7th album.best bits not over showcases klutes harder side with a rip tearing floor killer thats been causing hell all over the place. just one tiny slice of the impending album due to land in the autumn. for the flip klute has invited invaderz to take on one of his most popular tunes, take a breath from his 3rd lp lie cheat & steal. having taken a break to concentrate on their work with dego & bugs in the attic, invaderz have returned to d&b with a vengence with forthcoming releases on metalheadz, ram, commercial suicide & c.i.a. extremely limited copies of smokey-coloured black & clear vinyl, inserted randomly.

crossing classic alleys with the eintakt 28 – another various artists compilation offering a warm summerblend of well grown techno/ house/ dub plants and vegetables. starting off with >>achim maerz<< and a harmonic drifter with just that tiny acid touch it needs here. then mr. >>dub taylor<< takes over with a wooden dancefloor spoon cooking up a decent mixture for the massive floor.on the b-side >>idealist<< reduces it to the max with the well known hits and drum bits and so fulfils his past future classic promise once more.fading out with >>pawas<< and his slight jazzy cold dubb (which is not so cold at all) and being aware it’s another proper piece in the eintakt puzzle

camp supafrico return with the sixth edition of their highly acclaimed sound of funky africa series. digging even deeper into the afro-funk vaults, side a features the ber-rare 1984 shina williams and his african percussionists agboju logun. grooving along for a massive eleven and a half minutes, this super-heavy nigerian disco cut splices raw sounding horns with choirs and chants. seriously epic. flip over for dont do it from bongi makeba, a mesmerising afro-funk workout with her powerful voice weaving in and out of the grooving bass and spaced-out sax. last up is the sought-after mangous ye from black soul. originally the b-side of a 1976 release on tiny but top-quality nyc label beam junction, this tom moulton mixed slice of high-octane percussion-soaked afro-disco hit big on italys cosmic scene as well as the clubs of new york. another surefire hit from the supafrico imprint.

so, here we are at loch lomonds fourth album, dresses, and its a spectacular, moving piece of work. employing piano, cello, flugelhorn, vibraphone, dulcimer, banjo, belle plates and, perhaps most affectingly of all, some dazzling choral arrangements, dresses can be remarkably understated for an album flushed with so many orchestral characteristics

funken presents berlin based solo clarinet-player and performer andreas ernst aka randweg along with the first album equisetales. randweg portrays the theme of a journey that moves (and represents a thread between) while sketching the tiny little things beside the pathway

following his recent collaborations with ai records, electronique.it, and icon of desire, passenger finally comes back to eclipsemusic to release a new 12 vinyl record, titled chord abuse ep. the release takes off with solar flare, one of passengers most airy, housey and positive works till now, with its melodic sequence and uplifting atmosphere. on the same side of the 12 inch, surface debris de-construct the classic techno elements to build an abstract, moody, hyper-cynetic slice of futuristic techno. on side b solar flare gets then a special remix treatment by stephen brown, one of the most personal and notable european techno producers: the result is a tight, swinging rework of tiny slices of the original, turning the track into a classic techno builder..

3rd in the series from black booby, sees another eclectic mix of styles from the mysterious black booby: comes in a stickered sleeve.

limited reissue of this incredible and highly sought-after futuristic 12 from 1981. released on west african music, a tiny label from the ivory coast, and finding a spiritual home on the italian eclectic cosmic scene, both tracks on this 12 are brilliantly innovative and exhibit a minimal techno-esque aesthetic way ahead of their time. side as closer is a chugging sinuous flow punctuated by jerking monotone vocals, horn stabs and synth arpeggios with a strong dancefloor sensibility. flip over for stunningly weird electronic percussion workout tam tam - a crazed sparse soundscape of strange falsetto tribal chants, funky hand claps and drums, synth wobbles, spasms and tweaks. mystery surrounds the identity of the elusive artist codek but evidence points to it being an offshoot project of french new wave producer john marieux.

awesome sounding remastered re-issue of this super-rare underground disco belter from crosstown traffic. originally released in 1979 on tiny philadelphia label d.c. records, this highly collectable 12 inch still gets plenty of playtime today from djs such as dmitri and al kent. on the a-side >party people< slams you hard with funky basslines, furious disco beats, heady 70s synths and a whole load of party lyrics. truly infectious! then grooving sideways into your life is the b sides >love your family<. yet another disco gem, this tune is mellower yet will still have you running to the dancefloor with its first-class bass guitar riff, deeply-disco tambourines and hand-claps. great stuff!

grow vinyl begins with the record >discrete intervals< by easy changes. constant characters in the moscow underground, here they share an ep of futuristic structures and primal energies. 3 original tracks. includes a remix by birdsmakingmachine.

faces number three will invite the two young producers sekouia and rain dog to share sides on this disc and expose their musical crafts. coming from denmark and the uk, respectively, they are with certainty looking forward to long-lasting succesful careers. what they share is a an intrinsic feel for tiny musical details which give their music an intimate feel to keep the listener mesmerized for ages. on this record they experiment with different sounds and tempos to create a dynamic collection of unique compositions that congregate an ep of colourful, low slung and ambient tunes or simply chocolatefudgebrownieplasticmusic.
limited 12 inch vinyl for serious collectors, djs and record addicts only! comes with code for free mp3 download of this release plus 2 bonus tracks.

antonio olivieri presents a sort of tightness and sheen quality in his tracks that grade him a highly skilled and polished producer. antonio helms a knack of finding inescapable mood and desire in this 3 track ep, >rudiments< the latest from steyoyoke, and arguable its most exciting output yet. the ep combines elements of repose and melodic tranquility with dance worthy tracks. as the title suggests rudimentary components provide the basis, in a way that distinguishes each track to its own dance floor setting.